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Milano Design Week 2026 – Report Vol.4

Introducing the “Technique Wall” installations and the Kawaguch-air series presented on each company’s stage within the exhibition space.

These installations, designed to visualize the exceptional technologies of each company, captivated visitors throughout the exhibition.

First, we introduce Kaneyoshi, whose expertise in laser cutting, bending, and laser welding enables even the most complex designs to be realized with remarkable speed and precision.

In this installation, a brass sheet is partially cut away and gradually transformed into a cube-like form. The contrast between the polished surface and the intricate vibrations of light and shadow creates a striking visual effect, beautifully showcasing a highly challenging design. Alongside the installation, the “orisu” stool stands elegantly, highlighting the refined craftsmanship and expressive potential of metal fabrication.

Next, we introduce FujiTec, a company renowned for its masterful bending techniques. From large steel plates to H-beams, their expertise in R-bending is indispensable to architectural fabrication and second to none.

For this installation, a series of aluminum flat bars was arranged to visualize the rocking motion of the “yurari chair,” creating a ripple-like graphic that traces its movement through space. The precise craftsmanship is evident even in the smallest gaps between the elements, demonstrating the remarkable accuracy and skill behind FujiTec’s work.

Next, we introduce Shinko Stainless Kenma, a company specializing in advanced polishing, decorative printing, and specialty coating techniques that transform metal into rich and expressive surfaces.

This installation presents a metamorphosis of metal. Beginning with a raw stainless-steel sheet known as a 2B finish, the material gradually evolves through vibration finishing, polishing, specialty surface treatments, and decorative printing, revealing unexpected textures and visual expressions that redefine the possibilities of metal.

The “ameagari pool” beautifully reflected the scenery of Milan throughout the exhibition, while the installation itself captured the smiles and curiosity of visitors, becoming a dynamic reflection of the people who experienced it.

Next, we introduce Maeda, a company that provides comprehensive support for architectural metalwork, from design and fabrication to installation, bringing a wide range of complex metal constructions to life.

For this installation, raw industrial materials—including H-beams, round steel pipes, and aluminum extrusions commonly used for windows and doors—were arranged within a grid-like framework. Emerging from these ordinary materials are sculptural forms such as an eagle and a bee, crafted with the precision and artistry of a master artisan.

The “waku waku” series was also exceptionally well received, attracting considerable attention and generating numerous purchase inquiries throughout the exhibition.

Finally, we introduce Onuki Wire Netting, a company specializing in wire mesh fabrication, including laser cutting, bending, and welding. This year marked their first exhibition in Milan.

Their Technique Wall showcased a variety of mesh materials and fabrication techniques, taking advantage of the transparency and layered qualities unique to wire mesh. The installation created a sense of depth and visual connection with the surrounding space, allowing the scenery beyond to become part of the composition itself.

Also on display were the newest additions to the Kawaguch-air series, “fog rock” and “fog clock.” Beyond their translucent beauty and floating appearance, these pieces demonstrate the practical advantages of wire mesh construction—being both lightweight and durable—while the shadows they cast become an integral part of the experience, adding another layer of expression to the work.

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